2019 Poster
Note: additional pictures may be added as available

World Accordion Orchestra XI - Shenzhen, China - 2019
Mirco Patarini (Italy), Kevin Friedrich (USA), Alexey Mykitenko (Russia), Mary Tokarski (USA), Herbert Scheibenreif (Austria),
Nathan Chapeton (USA), Evgeniia Chirkova (Russia), Nikolay Teleshenko (Russia), Kirill Rusinov (Russia),
Petr Yarinenko (Russia), Konstantin Ryabin (Russia), Artem Malkhasyan (Russia), Arkadii Shkvorov (Russia),
Artem Tretiakov (Russia), Veljko Milojkovic (Serbian), Elizaveta Vinnikova (Russia), Alison Worthington (United Kingdom),
Alexey Murza (Ukraine), Harley Jones (New Zealand), Heather Masefield (New Zealand), Amber Masefield (New Zealand),
Stephanie Poole (New Zealand), Liz Finch (USA), Gail Campanella (USA), Artur Kuramshin (Russia),
Grayson Masefield (New Zealand), Werner Weibert (Austria), Gustavo Aliandre de Almeida (Brazil),
Dragan Jelacic (Bosnia & Herzegovina), Catrina Lin (New Zealand), Adam Perry (New Zealand), Jessie Chen (New Zealand),
Angela Chen (New Zealand), Tamba Carleton (New Zealand), Pataki Adam (Hungary), Vladislav Tarasenko (Belarus),
Denis Uhortsyn (Belarus), Lowie Vercammen (Belgium), Martin Kot (Czech Republic), Filip Kratochvil (Czech Republic),
Mikk Langeproon (Estonia), Pilvi Huhta (Finland), Michael Ziegler (Germany), Michele Bianco (Italy), Marco Gerolin (Italy),
Luigi Gordano (Italy), Arsenii Kiriukhin (Russia), Porvilas Neliupsis (Lithuania), Vytenis Danielius (Lithuania),
Audrius Daucianskas (Lithuania), Karolis Lukosevicius (Lithuania), Lukas Petrovas (Lithuania), David Velkov (Macedonia),
Nikola Sevaljevic (Montenegro), Pedro Gonҫalves (Portugal), Pavel Masyuk (Russia), Ilona Savina (Russia),
Nikita Ukrainskiy (Russia), Konstantin Voloshko (Russia), Nikola Lazarevic (Serbia), Luka Simic (Serbia),
Leonid Muravjov (Sweden), Sergey Sadovoy (Ukraine), Alexander Matveychuk (Russia), Kimmo Mattila (Finland),
Bor-Kuan Song (New Zealand), Jessica Chen (New Zealand), Craig Perry (New Zealand), Gary Stratton (New Zealand),
(Melinda) Yuzhe Wang (New Zealand), Roman Fazliev (Russia), Dongxiao Bian (China), Zifei Bai (China), Xueyan Bai (China), Yingzan Wang (China), Lilian Shen (China), Ran Zhang (China), Ziyu Wang (China), Zitong Qiu (China), Baoying Rong (China),
Junjie Zhou (China), Zhonglin Feng (China), Jiaqi Cheng (China), Jiayi Gao (China), Jiashuo Liu (China), Fangyi Cao (China),
Yijun Liu (China), Jiawei Chen (China), Xinchen Han (China), Hanwen Zhang (China), Huaijia Que (China), Jingxuan Guo (China), Jingyi Xia (China), Wenhui Wang (China), Zhiyuan Nie (China), Sijie Wang (China), Yang Li (China), Xizhe Qin (China),
Lingzhe Kong (China), Jiaran Li (China), Jianyun Zhou (China), Huiyan Wang (China), Jialin Cheng (China), Yaqi Ma (China),
Yu Lei (China), Shixian Zhao (China), Yilian Dong (China), Bingqian Zhao (China), Ranran Zhang (China), Fang Zhang (China),
Haomin Zhang (China), Songyan Yu (China), Zimo Wang (China), Junhao Hu (China), Ang’ang Zhang (China),
Meng Qin (China), Jiayi Liu (China), Xiaochen Zhang (China), Zenghao Zheng (China), Siyi Chen (China),
Xinyu Huo (China), Keyi Sun (China), Zixiang Yan (China), Hongyan Zhao (China), Liannian Li (China),
Hongyan Chang (China), Fuyun Wang (China), Xiaowan Zhang (China), Yingqi Wang (China)
Electronic Keyboards: Dongchen Ma (China),
Percussion: Liwei Liu (China), Jing Xiao (China), Zehui Wu (China), Jiayan Xu (China)
 
For the video fo the World Accordion Orchestra performance, it is the final video on the page:
http://www.accordion-news.cn/coupemondiale/2019/video17winners.htm

The World Accordion Orchestra XI performance was held on Saturday, August 17th, 2019.

Carefree! The Yi People
Carefree! The Yi People is a piece adapted from the Folk Songs of the Yi people. The mechanical principle of accordion playing is that the reeds inside produce sounds generated by the air created by the movement of the bellows. Although the accordion originated from Europe, if we trace back further, the principle sound production behind the reed is derived from the ancient Chinese instrument the Sheng. This piece of music will take us back to Yi, the hometown of the Sheng and immerse us in the joyful dance and music around the campfire with the Yi people.
 
Triumphal March from Aida by G. Verdi
The Triumphal March from Aida by Giuseppe Verdi (1813-1901) was given its first performance in Cairo, Egypt, in December, 1871. After being first commissioned by Isma'il Pasha, Khedive (Viceroy or Governor) of Egypt, for a performance in January of that year, the premiere was delayed to the December date because of the Franco-Prussian War. Verdi did not attend the Cairo premiere, where it was met with great acclaim, and he did not consider it the real premiere since no members of the general public were invited. The February,1872 performance, in which he had been heavily involved, at La Scala in Milan also met with great success. The opera Aida was not written for the opening of the Suez Canal as is so often believed. Verdi had been invited to write something for the event but he declined on the grounds that he did not write "occasional pieces."
 
Long live the Motherland!
Long live the Motherland! Is a piece composed by Liu Chi and Qin Yongcheng and adapted by the Beijing Children’s Palace Accordion Orchestra. This year marks the 70th Anniversary of the founding of the People’s Republic of China. This piece of music connects the theme and the melody of two well-known songs, ‘My Homeland’ and ‘Me and My Homeland’ with great finesse, expressing our sincere love and gratitude to the great Motherland.

World Accordion Orchestra XI directed by Joan Cochran Sommers (USA)
Faces of World Accordion Orchestra XI
Faces of World Accordion Orchestra XI
World Accordion Orchestra XI directed by Joan Cochran Sommers (USA)
World Accordion Orchestra XI directed by Chen Weiliang (China)
World Accordion Orchestra XI
conductors Chen Weiliang (China) and Joan Cochran Sommers (USA)
Chen Weiliang (China) and Joan Cochran Sommers (USA)

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