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Video: Coupe Mondiale, Round III
16 September 2016


  • INTERNATIONAL COMPETITION FOR ACCORDION SOLOISTS (COUPE MONDIALE) 2014. There will be three (3) rounds. Each candidate must include a polyphonic (contrapuntal) work in Round III of their program. The candidate may select in Round I "Any type of Baroque work".
     
Round I - Test Round Section

The candidate must perform the 2015 Test Round consisting of the following three (3) pieces:

  • Any Baroque work.
  • Own Choice Program: The candidate must select a program consisting of two (2) pieces, one piece to be of a slower, lyrical style and the other piece to be of a technical virtuosic style.  At least one (1) of these Own Choice pieces must be an original work for accordion.
  • A Single movement from a cyclic works is acceptable, however a maximum of only one movement from any cyclic work will be accepted. Playing time for Round I: maximum 20 minutes.

Round I music must be played in one sitting and may be played in any order.
 

Round II - Complete Original Work
  • One complete original work for the accordion.
     
Round III - Own Choice Program
  • Own Choice program consisting of three (3) or more pieces of different style and character.
  • A minimum of two (2) different composers
  • A Polyphonic (contrapuntal) work must be included in this round.
  • Playing time: a suggested minimum 20 minutes to maximum 30 minutes.  


The videos will be uploaded each day of the competition. You can see
when the video is live, because the blank video sceen will have a picture. You need
to reload / refresh this page regularly to see the updated videos through the day.


 
Contestant No. 1. Gulai Konstantin (Belarus)
Program for this round:
Round III
J.S. Bach Prelude & Fugue F Major WTC II
V. Runchak Near The Portrait Of N. Paganini
L. Malinovsky Dedication To J. Sibelius
A. Khachaturian Toccata
V. Runchak Imitating D. Shostakovich

 
Contestant No. 2. Mistyukov, Yuliy (Russia)
Program for this round:
Round III
D. Shostakovitch Prelude And Fugue E Minor
A. Kusyakov Images Of The Passing Time Movs.1, 2, 12
O. Schmidt Toccata No. 2
B. Precz 12 In 4

 
Contestant No. 3. Vlasov, Nikita (Russia)
Program for this round:
Round III
J.S. Bach Prelude And Fugue B Minor WTC I
F. Busoni / N. Vlasov Chamber The Carmen Fantasy
F. Angelis Boîte à Rythme

 
Contestant No. 4. Komelkov, Aleksandr (Russia)
Program for this round:
Round III
J.S. Bach Organ Prelude And Fugue F Minor BWV 534
A. Letunov Ghost
V. Solotaryov Sonata No.3 Movs. 3, 4
V. Subitsky Perpetuum Mobile

 
Contestant No. 5. Kassovich, Kirill (Russia)
Program for this round:
Round III
D. Shostakovich Prelude And Fugue D Minor XXIV
P.I. Tchaikovsky From The Seasons: Avril (april) Perce-Neige (snowdrop)
V. Subitsky Partita Concertante No.1 Movs. 3, 4, 5 Aria Perpetuum Mobile Epilogo
V. Gridin Paraphrase On A Russian Folk Song

 
Contestant No. 6. Masyuk, Pavel (Russia)
Program for this round:
Round III
N.A. Rimsky-Korsakov Procession Of The Nobles
D. Shostakovich Prelude And Fugue E Minor
G. Katzer Toccata
V. Semyonov Valse-Caprice
K. Savtsov Caucasian Rhapsody


Video Archive & Educational Project sponsored by Scandalli
The Scandalli Accordion Factory is the sponsor of the 2016 Video Archive and Education Project. 

This is a project initiated in 2010 by the Confédération Internationale des Accordéonistes (CIA) with assistance from sponsors and Accordions Worldwide. 

The project includes:
(i) A video of all the Coupe Mondiale categories and their contestants to be kept in the CIA archives in Finland, which over the coming years will become a wealth of historical recordings, including the premiere of many original accordion works and the emergence of upcoming artists at the Coupe Mondiale.

(ii) Each year, video and pictures from many international accordion events are added to the CIA archives in Finland.

(iii) Free downloads of the performances by competitors in each Coupe Mondiale category. These will be placed online as free downloads for the educational benefit of accordion teachers and students. The purpose is to enable the free spread of knowledge and information and thereby raise the levels of accordion performance and musicianship internationally.

We thank the Scandalli Accordion Factory for their sponsorship to enable this ambitious free project to assist accordion students and tutors throughout the world.
 
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